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Understanding treatments

Why we assess muscle groups in the upper face

An introduction to the anatomy behind an upper-face assessment, and why the same lines on two people can mean quite different things.

When you look in the mirror and see a line, you see one thing. When I assess the same face, I am looking at the muscles underneath it, how strong they are, how they interact, and what happens when you stop using them.

This is the part of the work that people find most surprising, so it is worth explaining.

The upper face is a system, not three separate areas

There are several muscle groups involved in upper-face expression:

Frontalis. The large flat muscle across your forehead. It is the only muscle that lifts your brows. It is responsible for horizontal forehead lines.

The glabellar complex. A group working together between the brows: corrugator supercilii, procerus, and depressor supercilii. These pull the brows down and together. They create the vertical lines people often describe as looking cross or worried.

Orbicularis oculi. The ring-shaped muscle around each eye. It closes the eye, and it contributes to the fine lines that fan out from the outer corner.

Here is the important part: these muscles work against each other. Frontalis lifts. The glabellar complex and orbicularis pull down. Where your brow sits at rest is the result of that tug of war.

Why that matters for assessment

If someone relies heavily on frontalis to hold their brows up, and you reduce that muscle’s activity without accounting for the depressors, the brow position changes. The lines might soften while the overall expression becomes heavier.

The same visible line, on two different faces, can therefore call for two different approaches. Or in some cases, for no approach at all.

This is why an assessment involves watching your face move. I will ask you to raise your brows, frown, and squeeze your eyes shut. I am not being fussy. I am mapping which muscles are doing the work.

What this means for you

Two practical takeaways.

First, be sceptical of standardised treatment. If nobody has watched your face move, nobody has assessed your anatomy. A treatment plan drawn up from a photograph or a price list is not a plan.

Second, ask why. Ask why a particular area is being suggested, and what is expected to happen to the areas around it. Any practitioner should be able to answer that clearly. If the answer is vague, that tells you something.


This article is general information about facial anatomy. It is not advice about any specific treatment, and it is not a recommendation. What is appropriate for you can only be determined during a consultation.


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